Right click on this and you reveal the different parameters that can be set here, including note pan, velocity and pitch, and channel volume, pitch and pan. New notes can be drawn in of course, and along the base of this window you will find a controller lane. The Tools menu, accessible by clicking at the top left corner of the editor window, contains lots of handy features including articulations, quantizing and chopping, and shortcuts to create flam, strum and other effects as well as scaling levels and introducing randomization to a part. Once MIDI is inside the Piano Roll editor, you can work with it in many different ways.
And with the wealth of virtual instruments that FL Studio provides, you won’t be short of new ways to generate sound. It can be copied, pasted, shifted, tweaked and reassigned with a few clicks, all the while taking up virtually no file space at all. The great thing about MIDI is that it is virtually weightless and almost infinitely malleable. We have looked in a previous workshop at how to get MIDI data into the application using various techniques, and now we will explore the any ways in which you can work with that data once it is inside the Piano Roll editor. FL Studio is one of the most powerful DAWs around when it comes to working with MIDI.
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